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Critical Reflection

 How do your products represent social groups or issues?  My short film focuses on the serious issue of drunk driving, a problem that affects countless individuals every year. The film aims to shed light on the devastating consequences of impaired driving, portraying both the direct and indirect victims of this preventable tragedy. One of the key social groups represented in the film is young drivers, who statistically are among the most at risk for alcohol-related crashes. The protagonist, a teenager who believes they are "fine to drive" after drinking, represents the common misconception that impaired judgment does not significantly impact driving ability. This false confidence is a widespread issue among young drivers, many of whom underestimate the effects of alcohol on their motor skills and reaction times. By portraying this through a relatable character, the film speaks directly to an audience that might otherwise dismiss the risks. Through the film, we illustrate how ...
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Short film research: (PHONE BOX /drama)

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1. Common CAMS (Camera Work) in Drama: Close-ups : Highlight the protagonist’s emotional turmoil and intense expressions. Medium shots : Show interactions and body language, especially in confined spaces like the phone box. Low-angle shots : Add intensity and create a sense of vulnerability. Static framing : Keeps focus on the character and their emotions. 2. Common Sound in Drama: Diegetic sounds : The ringing phone, ambient noises like traffic, and breathing intensify realism. Emotive score : Minimalist music builds tension and enhances emotional depth. Moments of silence : Amplify dramatic tension, emphasizing key emotional beats. Dialogue : Essential for conveying conflict, internal struggles, and plot revelations. 3. Common Mise-En-Scene (CLAMPS) in Drama: Costume : Realistic, everyday attire that reflects the character’s social or emotional state. Lighting : Subtle and naturalistic; uses shadows to symbolize the character’s struggles. Actors : Strong performances focusing on faci...
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